This week I also posted a book review of Neil Thompson’s, A Curious Man, on the University of Toronto Museum Studies’ Blog, Musings. While the book was mainly a biography of Robert Ripley, it still posed some good questions relevant to the Museum community, including, can we consider Ripley “Odditoriums,” both then and now, Museums? There is a debate within the art community over whether mass produced art can really be considered “art”? Ripley entertainment owns 32 Odditoriums worldwide, can a mass produced museum, constructed specifically for tourists be a real museum? Or do our conceptions of what a museum is, dismiss Ripley Odditoriums as simply kitschy and tacky tourist traps? It’s an interesting thing to think about.
Read the whole review here.